Listen to the show below!
| Artist | Track | Album | Label | Year | Notes |
|---|---|---|---|---|---|
| Günter Schickert | Puls | Überfällig | Sky Records | 1979 | Krautrock. Repetitive, psychedelic textures blending rock and electronic music. Notable for its association with the German scene rather than purely sonic traits. Schickert was connected to Klaus Schulze, which demostrates the importance of scene participation in genre classification. |
| Ali Farka Touré | Goye Kur | The Source | Hannibal Records | 1993 | Malian blues blending traditional Songhai music with American blues. Considered a pioneer of "desert blues," but often excluded from being called it due to ethnic and geographic distinctions between Songhai and Tuareg musical traditions. |
| Caetano Veloso | Tu Me Acostumbraste | Araçá Azul | Philips | 1973 | Filin (Cuban bolero-jazz fusion). A Spanish-language performance on a Brazilian record associated with MPB. Shows how genre labels break down when records draw from multiple cultural and musical traditions. |
| Spirit Agent | Womanism | Depth Perception | Navigators | 1999 | 90s abstract hip hop from Florida. Stylistically closer to underground NYC rap than Southern hip hop trends of the time. Genre as a loose descriptive category rather than a geographically fixed identity. |
| Ziad Rahbani | Houdou Nisbi | Houdou Nisbi | Relax-in Records | 1985 | Lebanese music (musiqa lubnaniyya) combining Levantine traditions with Western jazz orchestration. Reflects how "Western" influence can vary widely. Here, leaning toward smooth jazz and fusion. |
| Invisible | Durazno Sangrando | Durazno Sangrando | Talent / CBS | 1975 | Argentine progressive rock led by Luis Alberto Spinetta. Jazz-influenced in a nuanced way atypical of prog rock, and lyrical in an abstract, poetic tradition typical of prog rock. |

This was awesome and a good listen
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