"And finally, with my system on the third plane, I've been trying to evolve my work in a way that would allow for transposition into the dream state, transposition into narrative logics, transposition as part of the new medieval time space that we're moving towards." - Anthony Braxton, 2021 Quietus interview.
Listen to the show at wmre.live 12PM EST!
| Artist | Track | Album | Label | Year | Notes |
|---|---|---|---|---|---|
| Lattie Murrell | Wolf's At Your Door | Wolf's At The Door: Lost Recordings From The Spirits of the South | Sutro Park | 2010 (late 60s/early 70s) | Old country blues tune from archival compilation. |
| Anthony Braxton | BOR----H (Opus 23E) | Five Pieces | Arista | 1975 | Avant-garde saxophonist, AACM figure. Coherent, jazz-oriented composition combining jazz and modern European classical. |
| Baterdene | The Gallop of Jonon Khar | The Silk Road: A Musical Caravan | Smithsonian Folkways Recordings | 2002 | Mongolian tatlaga genre; tells story of the origin of the horsehead fiddle. |
| Lalleshwari | Dark Angel | Lullabies in a Glass Wilderness | n/a | 2005 | UK art pop/darkwave; lo-fi 4-track recording with modern production. |
| Crazy Wisdom Masters | Book of Rhyme Pages | Crazy Wisdom Masters | n/a | 1992 | Experimental hip hop from Native Tongues collective; group included Sensational (Torture) and Jungle Brothers. |
| Babylon Zoo | Spaceman | The Boy with the X-Ray Eyes | EMI | 1996 | One hit wonder; begins as alternative dance, majority is alt/space rock. Levi's commercial. |
| MC 900 ft Jesus | But If You Go | One Step Ahead of the Spider | American Recordings | 1994 | Abstract hip hop with acid jazz/trip hop resemblance. |
| King Sunny Ade | 365 Is My Number/The Message | Juju Music | Mango | 1982 | Yoruba juju music fused with early 80s electronic effects. |
| The Action | Brain | Rolled Gold | Dig the Fuzz | 1997 (1967-1968) | Freakbeat/mod track anticipating 80s indie psychedelia; straightforward, minimal approach. |
| Mark & Suzann Farmer | Dreams | We've Been There | MSJ Records | 1978 | Stripped-back, sparse Fleetwood Mac cover; recorded on 4-track in living room; ghostly atmosphere. |

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