"...and the next thing you knew, we were back on the kitchen floor, sitting down, trading songs, and we went on for hours doing that..." -- Butch Hannock of the Flatlanders
Listen to the show below!
Artist | Track | Album | Label | Year | Notes |
---|---|---|---|---|---|
The Flatlanders | Tonight I Think I'm Gonna Go Downtown | All American Music | Plantation | 1973 | A reflective and exploratory take on country music from a short-lived progressive country group. |
Black Merda | Reality | Black Merda | Chess | 1970 | A forgotten psychedelic soul and blues rock band from Detroit. Socially conscious lyrics, uniquely pessimistic among other socially conscious records of the time. |
Johnny Price | Marijuana, The Devil Flower | N/A | Rexell | 1971 | Funny country single. Singer has disdain and disgust for the hippie counterculture movement. |
Earth & Stone | Don't Let Them Fool You | Kool Roots | Cha Cha Music | 1979 | Late-stage roots reggae track from a relatively unknown duo. Last gasp for OG run of politically and socially conscious reggae before dancehall took over. |
Djalma Corrêa | Banjilógrafo | Baiafro | Phillips | 1978 | An Afro-Brazilian percussion piece tied to capoeira and samba de roda. |
David Hykes & The Harmonic Choir | Arc Descents | Hearing Solar Winds | Ocora | 1983 | A new age track centered on overtone singing. Ominous drone that strays from usual new age peacefulness. |
Steve Tibbetts | The Secret | Steve Tibbetts | Frammis | 1977 | An early example of Tibbetts' unique postmodern neo-primitivism. Drifting, hypnotic acoustic guitar work. |
Bobb Trimble | Glass Menagerie Fantasies | Iron Curtain Innocence | Vengeance | 1980 | An out-of-time psychedelic folk track from the post-60s folk scene. Surrealistic and introspective. |
Leroy Jenkins | Albert Ayler (His Life Was Too Short) | The Legend of Ai Glatson | Black Saint | 1978 | A tribute to free jazz legend Albert Ayler featuring Jenkins' avant-garde violin work. A particularly ethereal track, which may be suprising considering how abrasive violin can be in a free jazz context. |
Max Roach Trio feat. Hasaan Ibn Ali | Three-Four vs. Six-Eight Four-Four Ways | The Max Roach Trio Featuring the Legendary Hasaan | Atlantic | 1964 | A showcase of the great Max Roach's drumming and Ali's virtuosic piano style. A rare example of bebop to avant-garde jazz transistion as it was occurring. |
Juggaknots | Loosifa | The Juggaknots | Fondle 'Em | 1996 | Dreamy, lo-fi underground hip-hop track with a lush wall-of-sound aesthetic. Somewhat foreshadowing the surrealist beats of cLOUDDEAD. Same label that put out MF DOOM's debut record by the way. |